Dalloul Art Foundation

Dalloul Art Foundation

JULIANA SERAPHIM JULIANA SERAPHIM

JULIANA SERAPHIM, Lebanon (1934 - 2005)

+-

Bio

Written by L'Or Iman Puymartin & Christine Labban

Juliana Seraphim was born in Jaffa, Palestine, in 1934. Following the Palestinian Nakba, she fled with her family to Sidon, Lebanon by boat in 1949, and four years later, faced with the impossibility of returning home, they moved to Beirut. In the Lebanese capital, Seraphim worked in the UNRWA headquarters as a secretary before leaving Lebanon to complete her education in the arts.  She studied at the Academies of Fine Arts in Florence and Paris, as well as the Royal Academy of San Fernando in Madrid.

Beirut’s cultural golden age was in full bloom when Seraphim arrived in the city. Music, theater, cinema, and the visual arts flourished, and a vibrant international intellectual culture was growing at a rapid pace. Unlike most Palestinian refugees, Seraphim and her family were able to attain Lebanese citizenship, and the artist was lucky to benefit from experiences her countrymen in the camps could not access. After secondary school, Seraphim did not enroll in university, but maintained a busy work schedule; fortunately, she was able to pursue her passion for art through lessons with painter Jean Khalife after work hours. Her first exposure to Beirut’s art world came through subsequent exhibitions at Khalife’s studio in the 1950s. In the late ’50s, she spent a year in Florence, followed by a year in Madrid, which was a very formative period for the artist. In Madrid, she met art critic Carlos Ariane, who suggested that India ink was the medium best suited to translate Seraphim’s surreal imagination into the dreamlike compositions she strove to create. After participating in several exhibitions both locally and internationally, Juliana exhibited in the hotly anticipated inaugural Salon d’Automne at the Sursock Museum in 1961. This exhibition marked the beginning of Seraphim’s career as a professional artist.

Just fourteen years old, when Zionist forces conquered Palestine, Juliana Seraphim was part of the first generation of Palestinian artists whose practices evolved in exile. While she derived inspiration from her homeland –particularly her grandfather’s home in Jerusalem and the seascapes she grew up observing in Jaffa– she did not make art that directly addressed the politics of Palestinian liberation. This choice distinguished her from what the late Palestinian artist and art historian Kamal Boullata calls the “camp artists,” i.e., a group of male, often self-taught artists that coalesced in the refugee camps around the nascent Palestinian Liberation Organization. Because of her family’s citizenship status, she had access to Beirut’s art world in ways that the camp artists didn’t, as well as the all-important ability to travel throughout the globe. She was primarily considered an outsider by the more politically active Palestinian contingent in Beirut because she created surreal and fantastical art instead of focusing on the Palestinian national cause.

Seraphim’s signature style was a loose form of surrealism that allowed her to express her imagination in a free-flowing, dreamlike way as if peering into her own subconscious. Her work was influenced by her life in a city where topics of feminism and female sexuality were being discussed by Beirutis and foreign expats alike. She lived in a time where spirituality, exploration of alternative forms, and fighting for freedom—especially women’s rights—were central to social, political, and artistic movements, and these elements are reflected in her work’s central motifs. Magical architecture, mystical flowers, and the (often sexualized) female body are recurring figures in both her paintings and her ink drawings. Outlandish cityscapes consisting of spirals, dendritic towers, lacy ornaments, and pointed arches convey a sense of mystery, constructing elusive but entrancing utopias. Her women morph into flowers and vice versa, begging meditation on the complexity and delicacy of the female physical and emotional being. While many of her paintings carry a sensual undertone, the vision in her drawings is often more explicit –in fact, some of her ink drawings are unabashedly erotic, though the artist coyly denied intending them to read in such direction. Though women dominate these scenes too, males and androgynous figures also enter the fray, sometimes even represented as the domineering center of by sharper-edged cities with little place for the delicate “fleur” characters.

Seraphim often likened the female’s emotional complexity to a flower’s fragility, but she herself was no shrinking violet. Remembered as a bon vivant as well as a fiercely independent individual, she never married; as her friend and fellow artist Helen Khal recalls in The Woman Artist in Lebanon (1987), she felt that “the woman was too complicated and the artist too independent” to settle down with a husband. Indeed, her work’s emphasis on the female form –and its exploration of liberated female sexuality– shows the artist’s investment in eroding gender norms and the power structures they perpetuate. Her bizarre, often garishly colored paintings and dense, highly detailed drawings seem to call forth Seraphim’s own version of utopia: a world where femininity and sensitivity are widespread and celebrated, overpowering the coarse-edged male presence.

Juliana Seraphim lived as a professional artist between Paris and Beirut until she passed away in 2005.

Sources

Abillama, Nour Salamé, and Marie Tomb. Art From Lebanon. Vol. 1. Beirut, Lebanon: Wonderful editions, 2012.

Boullata, Kamal. "Pioneering Women in Palestinian Art." Accessed October 17, 2017. http://www.hagar-gallery.com/Catalogues/Self_Portrait_02_01.pdf.

Khal, Helen. The Woman Artist in Lebanon. 1987: Institute for Women's Studies in the Arab World.

Mattar, Philip. The Encyclopedia of the Palestinians. New York City, New York: Facts on File, Inc, 2005.

+-

CV

Selected Solo Exhibitions

1993

Station des Arts Gallery, Beirut, Lebanon

1992

Station des Arts Gallery, Beirut, Lebanon

1991

Hotel Chahba-Cham Art Gallery, Damascus, Syria

1990

Khayal Gallery, Ehden, Lebanon

1989

Amadis Art Gallery, Madrid, Spain

1988

Galerie La Toile – Rimal, Beirut, Lebanon

1987

Galerie La Toile – Rimal, Beirut, Lebanon

1985

Galerie Art 3, Paris, France

1983

Suzanne Ponds Art Gallery, Cannes, France

1983

Galerie Bekhazi (GAB Center), Beirut, Lebanon

1981

Galerie Bekhazi (GAB Center), Beirut, Lebanon

1980

Jordan National Gallery of Fine Arts, Amman, Jordan
Alef Art Gallery, Kuwait

1979

Galerie Art 3, Paris, France

1978

X Art Gallery, Paris, France

1977

Tabet Art Gallery, Paris, France

1975 

Brigitte Shehadeh Gallery, Beirut, Lebanon

1971

Samir Nassif Art Gallery, Beirut, Lebanon

1969

Cassia Art Gallery, Beirut, Lebanon

1967

Galerie Journal L’Orient, Beirut, Lebanon

1965

Galerie Journal L’Orient, Beirut, Lebanon

1964

Elie Garzouzi Gallery, Beirut, Lebanon

1961

La Licorne Art Gallery, Beirut, Lebanon

1960

International Art Gallery, Florence, Italy

Selected Group Exhibitions

2016

Lebanon Modern, Les artistes femmes au Liban, curated by Pascal Odile, At the Beirut Art Fair, Lebanon

2013

Tajreed, CAP Kuwait, Kuwait

2012

Art From Lebanon, Beirut Exhibition Center, Beirut, Lebanon

1997

Salon D’Automne, Sursock Museum, Beirut, Lebanon

1996

Fine Arts Museum, Sharjah, UAE

1995

Al-Majlis Gallery, Dubai, UAE
Intercontinental Hotel, Bahrain
Salon du Printemps, Beirut, Lebanon
National Museum of Kuwait

1980

Belvedere Museum,Tunis, Tunisia

1978

Museum of Neuilly, Paris, France

1975

Heirlooms Gallery, Alabama, USA

1971

Imperial Museum of Tokyo, Japan
Bibliothèque Nationale, Paris, France (exhibited with Picasso and Dalì)

1969

First National City Bank, Beirut, Lebanon Smithsonian Institution,Washington D.C., USA

1968

Gallery Motte, Paris, France (exhibited with painters Dubuffet, Kaimakoff, and Luc Simon)

1967

Chenilis Gallery, London, UK

1965

Sao Paulo Biennale, Brazil

1963

Paris Biennale, France

1962

Alexandria Biennale, Egypt
Barcaccia Gallery, Rome, Italy

1961

Nicolas Sursock Museum, Lebanon

Awards and Honors

The Florence Prize, Italy
The Prize of the Ministry of National Education, Lebanon
The Second Prize for Foreigners at the City of Viarregio, Italy

Collections

The MET, New York, USA
Museum of the City of Viarregio, Italy
Museum of "La Femme Célèbre", Neuilly Paris, France
Musée du suréalisme, Paris, France
Institut du Monda Arabe, Paris, France
Jordan National Gallery of Fine Arts, Amman, Jordan
Nicolas Sursock Museum, Beirut, Lebanon
Ramzi and Saeda Dalloul Art Foundation, Beirut, Lebanon
The collection of the Ministry of Culture, Beirut, Lebanon
Barjeel Art Foundation, Sharjah, UAE

+-

Documents

Palestinian Visual Art (II) Pathfinders (1955-1965) rom Kamal Boullata’s entry ”Art” in Philip Mattar, ed. The Encyclopedia of the Palestinians
Kamal Boullata
New York: Facts on File, English, 2005

Highlight from Book

"The World, the Self, and the Body: Pioneering Women in Palestinian Art"
Kamal Boullata
SAQI, English

Excerpt from book p.167-178

"العالم والذات والجسد: رائدات في الفن الفلسطيني"
Kamal Boullata
SAQI, Arabic/Hebrew

Excerpt from book p.9-22

Palestinian Art
Gannit Ankori
Reaktion Books LTD/DAF Library, English, 2006

Excerpt from book p.99-100

Art From Lebanon Modern and Contemporary Artists 1880-1975 Volume 1
Nour Abillama, Marie Tomb, Tamara Zantout, Pia Bou Khater
Wonderful Editions, English, 2012

Excerpt from book P.291-292

Palestinian Art: from 1850 to the present
Kamal Boullata
SAQI, English

Excerpt from book p.146,p.158,p.175-176,p.181

The Woman Artist in Lebanon
Helen Khal
The Institute for Womens Studies in the Arab World, English, 1988

Excerpt from book p.71-78

Hiwar
Edited by Tawfiq Sayigh
Dar Al Rihani, Arabic, 1963

Excerpt from Magazine

Hiwar
Edited by Tawfiq Sayigh
Dar Al Rihani, Arabic, 1963

Excerpt from Magazine

Hiwar
Edited by Tawfiq Sayigh
Dar Al Rihani, Arabic, 1963
Hiwar #18
Edited by Tawfiq Sayigh
Dar Al Rihani, Arabic, 1965
+-

Press

Disparition Juliana Séraphim, une grande dame de la peinture libanaise
Edgar Davidian
lorientlejour.com, French, 2005
محمد ادغيم : الفلسطينيون جوهرة الشرق الأوسط
محمد ادغيم
panet.co.il, Arabic, 2008
الفنانات التشکیلیات ودورهن في ابراز الهویة الفلسطینة
رانيا جولاني
asdaapress.com, Arabic, 2015
تجربة الإعلام الفلسطيني حسناتها ومثالبها
علي بدوان
palinfo.com, Arabic, 2016
المرأة الفلسطینیة: من الخباء إلى الثورة
صلاح أحمد فاخوري
palestine.assafir.com, Arabic, 2012
الفلسطينيون جوهرة الشرق الأوسط
طلال سلمان
alqudsnews.net, Arabic, 2016
الدورة السابعة من "بيروت آرت فير" في البيال: تكريم فنانات لبنانيات وإضاءة على المواهب!
newspaper.annahar.com, Arabic, 2016
ثقافة فنانو موريشيوس وسيشل في ضيافة "آرت هب" أبوظبي
al-ain.com, Arabic, 2016
Art and attitude
Olga Habre
life.executive-magazine.com, English, 2016
"بيروت آرت فير": نساء في الفن
alaraby.co.uk, Arabic, 2016
الفنانات الرائدات يتوهّجن في "بيروت آرت فير"
روبير عبد النور
alhasnaa.com, Arabic, 2016
بيروت آرت فير... تظاهرة عالمية للفن التشكيلي
كلود أبو شقرا
aljarida.com, Arabic, 2016
بيروت آرت فير يفتح أبوابه لاكتشاف المواهب الشابة
aawsat.com, Arabic, 2016
معرض "عشرون سنة وما بعد" في أسواق بيروت
elfann.com, Arabic, 2016
+-

Videos

+-

Exhibitions

JULIANA SERAPHIM Artwork