When I paint, I follow my dreams through my brushstrokes. As I paint, my hand also dreams as I do, it does so nervously and as it moves my dreams are cleared and refined. Painting does not dwell...
HIMAT MOHAMMAD ALI, Iraq (1960)
Bio
Written by MYSA KAFIL-HUSSAIN
When I paint, I follow my dreams through my brushstrokes. As I paint, my hand also dreams as I do, it does so nervously and as it moves my dreams are cleared and refined. Painting does not dwell in my mind alone, painting is the act of my body.[1] Himat Mohammed Ali, 2010
Born in Kirkuk in 1960, Himat Mohammed Ali was surrounded by art books, poetry and other literature from a young age, as his brother was an art student. Himat first explored the world of poetry as a teen, but then started painting and embraced it entirely, at which point he decided to get in touch with an artist he very much admired, Shakir Hassan Al Said.[2] Al Said was extremely encouraging, seeing great promise in the young artist and also spent time introducing him to the works of international artists, Sufi poetry and had lengthy conversations about spirituality.[3]
Himat never had any formal art training and never went to any of the art institutions that budding local artists attended in Baghdad. Instead, he taught himself and learnt from observing others, and in 1982 had his first solo exhibition in Kirkuk, followed by more in Baghdad and participated in group shows and festivals throughout the 1980s. With his career progressing well, Himat had the opportunity to exhibit his work in Japan in 1990. Planning to stay for just two months, the Gulf War suddenly broke out in Iraq, forcing him to stay for more than half a year. During this time he struggled a great deal with the lack of access to his usual materials, and so he bought black Japanese inks, Japanese paper (which has now become a staple of his), and began painting with ink to create completely black and white works – a rare colourless period for the artist.[4] After a short period in Jordan, Himat settled in Paris in 1991, which has been his base ever since.
Himat found studio space and accommodation in Paris’ ‘La Ruche’, a renowned artist residence in the Montparnasse district. The vibrant historical home of numerous important artists, including Amedeo Modigliani and Diego Rivera, Himat felt truly inspired by his new surroundings. Here, Himat embraced nature, and when he would paint, he would place his finished canvases on the trees of La Ruche’s garden where they would blend in beautifully with their surroundings.[5]
Although he embraced life in Paris, he was always searching for roots. Living in exile since 1990, he longed for home but also conceded that he could still develop a sense of belonging elsewhere. Himat witnessed the US invasion of Iraq from afar, watching from Paris as his country went through unimaginable suffering, followed by years of instability and sectarian conflict. He had seen political conflict divide people before, with tension and hatred between Arabs and Kurds in his home city still in his recent memory. [6] In 2004, Himat learned of the death of Shakir Hassan Al Said, someone who he still regarded as his mentor. Although at this point he had not been back to Iraq for 14 years, Himat kept in touch with him regularly and claims their telephone conversations guided his research and work.[7] Reeling with sadness, Himat eventually turned his grief into a series of works inspired by the late artist.
The mid-2000s were a very busy period for Himat, as is evident in the selection of his works in the DAF Collection. Both ‘White Landscape’ (2004-2008) and an untitled painting from 2008 are typical of Himat’s expressive, abstract style, often on large canvases with vibrant colours. Sometimes almost resembling intricate Persian or Turkish carpets, the details appear rooted in both decorative ornamentation and the natural environment. 2010’s ‘Forest of Love’, again a large composition, combines the feeling of rich, elaborate textiles with what appears to be letters and symbols at the top, dancing together harmoniously in a pool of colour. Some of his most well-known artworks, ‘Letters to Ishtar’ (2000-2010), are also in the DAF Collection. A series of works in the form of hard-hitting artist books, they were collaborations with poets such as Adonis, Mohammed Bennis, Qassim Haddad and Saadi Yousef in which they were commissioned to create poetry based on Ishtar, the ancient Mesopotamian goddess of war and love. Creating visual art pieces from their words, here Himat mourns the destruction of Iraq’s cultural heritage during and after the 2003 war, especially the burning and looting of libraries and museums.
Still working from Paris, his small studio is where he spends most of his days. Constantly constructing and deconstructing, mixing his own colours and preparing his own canvases, Himat is an artist very much absorbed by his work. And whilst he often thinks of home – Iraq – and his Kurdish identity, he is equally as inspired by the cherry blossoms of Japan and the streets of Paris, ensuring that his artworks remain rich with a sensitive universal insight, creating a captivating and unique artistic language.
Notes
[1] Himat Mohammed Ali, 2010. “Another Perspective”, via artist website: https://www.himatmali.com/
[2] Helene Poirier, n.d. “Dots Signs and Lights”, via artist website: https://www.himatmali.com/critics-e-1
[3] Ibid
[4] Kaelen Wilson-Goldie, 2004. “Kurdish Painter Finds Truth”, In Daily Star Newspaper, via artist website: https://www.himatmali.com/critics-e-2
[5] “Himat Ali..an Artist who speaks through Colours”, In Aawsat.com, 2017: https://english.aawsat.com//home/article/1034421/himat-ali…-artist-who-speaks-through-colors
[6] Poirier, n.d.
[7] Poirier, n.d.
Sources
Mohammed Ali, Himat. “Another Perspective” (artist statement), via artist website. October 2010. Accessed April 2020. https://www.himatmali.com/
Poirier, Helene. “Dots Signs and Lights”, via artist website. N.d. Accessed April 2020. https://www.himatmali.com/critics-e-1
Wilson-Goldie, Kaelen. “Kurdish Painter Finds Truth”, In Daily Star Newspaper, via artist website. June 10, 2004. Accessed April 2020. https://www.himatmali.com/critics-e-2
“Himat Ali..an Artist who speaks through Colours”. Aawsat.com. September 26, 2017. Accessed April 2020. https://english.aawsat.com//home/article/1034421/himat-ali…-artist-who-speaks-through-colors
CV
Selected Solo Exhibitions
2019
Le Silence de l’Eau / The Silence of Water, Gallery La Ruche, Paris, France
2017
Pas de Paroles, Juste Lumiere et Couleur / No Words, Just Light and Colour, Gallery La Ruche, Paris, France
2015
Japanese Flowers in Kirkuk, Nabad Art Gallery, Amman, Jordan
2013
Letters to Ishtar, Al Riwaq Art Space, Manama, Bahrain
2011
Le Mans, France
2010
In the Forest of Love, Nabad Art Gallery, Amman, Jordan; Dar al Funoon, Kuwait
2008
Sharif Gallery, Tunis, Tunisia
Al Riwaq Art Space, Manama, Bahrain
2007
Gotaro Tsunezumi: Flowers from the Sky, Lines Contemporary Art Gallery, Amman, Jordan
2005
A Tribute to Shakir Hassan Al Said, Al Riwaq Art Space, Manama, Bahrain; Agial Gallery, Beirut, Lebanon; 4 Walls, Amman, Jordan; Galerie Artemisia, Tunis, Tunisia
2004
Agial Gallery, Beirut, Lebanon
2003
Al-Barzakh (Art book collaboration with Adonis), 4Walls Gallery, Amman, Jordan
2002
Kinokunya Gallery, Tokyo, Japan
Art book collaboration with Gotaro Tsunezumi, Tokyo, Japan
Ezerman Gallery, Dokkum, The Netherlands
2001
4 Walls Gallery, Amman, Jordan
Sharjah Museum, Sharjah, United Arab Emirates
2000
Centre d’Art et de Littérature L’Echelle, France
1999
Kinokunya Gallery, Tokyo, Japan
Al Riwaq Art Space, Manama, Bahrain
Art book collaboration with André Velter, La Halle Saint-Pierre, Paris, France
1998
Art book collaboration with André Velter, Abbasid Palace, Baghdad, Iraq
Salle des Expositions, UNESCO, Paris, France
1997
Librairie Vendredi, Paris, France
1996
Himat Mohammad Ali: Paintings, Darat al Funun, Amman, Jordan
1995
Mutsu Gallery, Chiba, Japan
Galerie Atagoyama, Tokyo, Japan
Galerie Via Fravia, Domat/Ems, Switzerland
1994
Galerie Shawar, Paris, France
1993
Gallery of the Cité Internationale des Arts, Paris, France
1992
Atagoyama Gallery, Tokyo, Japan
1990
Al Riwaq Gallery, Baghdad, Iraq
Forms Gallery, Tokyo, Japan
Shofu Gallery, Tokyo, Japan
Darat al-Funun, Amman, Jordan
1988
Himat M. Ali, Tsubaki Gallery, Tokyo, Japan
1986
Al Rashid Gallery, Baghdad, Iraq
1983
Al Rashid Gallery, Baghdad, Iraq
1982
Land and Human, Al-Ta’meem Gallery of Contemporary Art, Kirkuk, Iraq
Selected Group Exhibitions
2023
UNTITLED Abstractions, Dalloul Art Foundation (DAF), Beirut, Lebanon
2019
Theater of Operations: The Gulf Wars 1991-2011, MoMA PS1, New York, USA
Winter Season, Nabad Art Gallery, Amman, Jordan
LINE, Darat al Funun, Amman, Jordan
A la plume, au pinceau, au crayon : dessins du monde arabe, Institute du Monde Arabe, Paris, France
2018
Bagdad Mon Amour, Institut des Cultures d’Islam, Paris, France
2017
Enfolding and Unfolding: Geometric Abstraction in Motion (MA Curatorial Practice fellows exhibition with Ghassan Ghaib, Samia Halaby and her Kinetic Painting Group), School of Visual Arts, New York, USA
Première Exposition Collective, La Ruche Gallery, Paris, France
“Truth is black, write over it” - 30th Anniversary Inaugural Exhibition, Darat al Funun, Amman, Jordan
2016
La Ruche Gallery, Paris, France
Rituals of Signs and Transitions (1975-1995), Darat al Funun, Amman, Jordan
2014
Mutsu Gallery, Chiba, Japan
2013
Tajreed – A Selection of Abstract Art from 1908-1960, Contemporary Art Platform (CAP) Gallery, Kuwait
2012
Bibliothèque de l’Arsenal, Paris, France
2011
Art in Iraq Today: Part III, Meem Gallery, Dubai, United Arab Emirates
Galerie Helene Lamarque – American Pavilion, XV Shanghai Art Fair, China
2009
Modernism and Iraq, Wallach Art Gallery, Columbia University, New York, USA
Text, Texture and Textualisation: Reflections on the Jordan International Art Symposium, Foresight Art Gallery, Amman, Jordan
2008
Iraqi Artists in Exile, Station Museum of Contemporary Art, Houston, Texas, USA
2006
Festival International des Arts Plastiques de Mahres, Al-Mahres, Tunisia
Bonn Museum of Modern Art, Bonn, Germany
2005
Asilah Arts Festival, Asilah, Morocco
2004
Seventh Cairo International Biennale, Cairo, Egypt
2003
Iraqi Art Today: Looking Out, Looking In, DePaul University Art Gallery, Chicago, USA
The Khalid Shoman Collection, Darat al Funun, Amman, Jordan
National Museum, Krakow, Poland
2002
From the Ocean to the Gulf and Beyond: Arab Contemporary Art, Jordan National Gallery of Fine Arts, Amman, Jordan
Grenzenlos: Kurdische Kunst Heute / Borderless: Kurdish Art Today, Wien Museum, Vienna, Austria
2000
Strokes of Genius: Contemporary Iraqi Art, Brunei Gallery – SOAS, University of London, London, UK
Journey Through the Contemporary Arts of the Arab World: Mesopotamia/Iraq, Darat al Funun, Amman, Jordan
1999
Darat al Funun, Amman, Jordan
1996
Artists of the Cité Internationale des Arts, Bedford Gallery, Longwood College, Farmville, Virginia, USA
1995
Atagoyama Gallery, Tokyo, Japan
Galerie Karl Strobl, Vienna, Austria
1994
Gallery of the Cité Internationale des Arts, Paris, France
1993
Three Iraqi Artists
(Group exhibition with Salem Al Dabbagh & Kareem Risan), Darat al Funun, Amman, Jordan
Kufa Gallery, London, UK
Galerie Philippe Gand, Paris, France
Château de Flers, France
1992
Galerie Philippe Gand, Paris, France
1991
Salle Léo Lagrange, Beaumont-sur-Oise, France
1990
The Japan International Art Exhibition, Tokyo Metropolitan Art Museum, Tokyo, Japan
1989
Entre le Tigre et l'Euphrate: Art Contemporain Irakien / Between the Tigris and the Euphrates: Contemporary Iraqi Art, Institut du Monde Arabe, Paris, France
Seventh Al-Wasiti Festival, Baghdad, Iraq
The Miniature Exhibition, Al Rashid Gallery, Baghdad, Iraq
1988
Art for Humanity: The Second Baghdad International Festival of Art, Saddam Arts Centre (formerly the National Museum of Modern Art), Baghdad, Iraq
1987
First International Babel Festival, Babel, Iraq
Sixth Al-Wasiti Festival, Baghdad, Iraq
1986
The First Baghdad International Festival of Art, Saddam Arts Centre (formerly the National Museum of Modern Art), Baghdad, Iraq
1985
Fifth Al-Wasiti Festival, Baghdad, Iraq
1983
Contemporary Iraqi Art, National Museum of Modern Art (Gulbenkian), Baghdad, Iraq
1982
The First Youth Festival, Baghdad, Iraq
Publications
Himat, Bernard Noel & Farouk Yousif, Rencontres, 2003
Awards and Honors
1989
First Prize - Seventh Al-Wasiti Festival, Baghdad, Iraq
1987
Appreciation Award - Sixth Al-Wasiti Festival, Baghdad, Iraq
1985
Graphic Art Award - Fifth Al-Wasiti Festival, Baghdad, Iraq
1982
Appreciation Prize - The First Youth Festival, Baghdad, Iraq
Collections
Bibliothèque de la Francophone Multimédia, Limoges, France
Darat al Funun (The Khalid Shoman Foundation), Amman, Jordan
Ibrahimi Collection, Amman, Jordan
Jordan National Gallery of Fine Arts, Amman, Jordan
L’Insitut du Monde Arabe, Paris, France
Ministry of Culture, Tunis, Tunisia
National Library of France, Paris, France
National Museum of Modern Art, Baghdad, Iraq
Ramzi & Saeda Dalloul Art Foundation, Beirut, Lebanon
Press
Himat M Ali - critics-E-2.pdf
Himat M Ali - critics-E-1.pdf
IraqHurr_2007.pdf
Alghulama_.pdf
AlQuds_24_9_2015.pdf
AlQuds_2015.pdf
Furattoday_2014.pdf
Artsgulf.pdf
التشكيلي هيمت محمد علي_ توليد حساسيات جمالية لافتة في مدرجات اللون _ الصدى.نت.pdf
Himat M Ali - About Himat M. Ali Iraqi artist.pdf
نصوص هيمت محمد التصويرية _ صحيفة الخليج.pdf
IraqiArt.com_2007.pdf
صحيفة التاخي - تجربة الفنان التشكيلي هيمت محمد علي .. انفتاح على رموز الأرض والانسان.. أسلوب ناضج المعنى ومحتوى ملوّن المجاز.pdf
Himat Ali…An Artist Who Speaks Through Colors _ Asharq AL-awsat.pdf
معارض هيمت محمد علي.pdf
هيمت محمد علي.. حين تزهر شجرة العلامات.pdf
HimmatMohammadAli_Inside the Artist_s ExhibitionHimat Muhammad Ali_Trendesign_Press.pdf
Art as a Psychological Outlet.pdf
نصوص هيمت محمد التصويرية _ صحيفة الخليج.pdf
حنين الوطن يتشكّل إبداعاً في أعمال هيمت محمد علي - مراسي.pdf
HimmatMohammadAli_Inside the Artist_s ExhibitionHimat Muhammad Ali_Trendesign_Press.pdf
HIMAT MOHAMMAD ALI Artwork
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